Opening: Saturday, August 29 21:00
from August 29 to September 3, 2009
Medieval Castle NA (Sa)
Staff of Tiberius Gracchus by Antonella Nigro Agopoli of the Medieval Castle.
exhibition will include paintings and sculptures from the artist's most recent production.
THE TRUTH 'INTENSITY OF LIFE' IN THE EXISTENCE OF PAINTING Tiberius Gracchus
Text critic Gerardo Pecci
Man. Life. The mystery of existence and the meaning of art: these are the coordinates within which the production is part artist, painter, of Tiberius Gracchus. His paintings, full-bodied, "matter" very expressive and incisive, dig in the eyes of human research un'ancestralità of which is a source of knowledge and curiosity, excitement and thrills. Pure color, full-bodied, highlight the strength of life, a colorful world from which primordial, and share the thoughts on our daily lives: AI is creative, original, original, a curious glance, sharp and penetrating, who observes the world and man for what they are. The human figure in fact is a favorite subject by the artist, is the thinking being in a symbiotic struggle with Nature, of which he himself is an integral part, but it is a struggle for the conquest of ways of life, emotions, desire to being and doing, to assert its will and own space. Ovoid and elongated forms of the heads of human beings represented by Gracchus are not just a "free" man "faber", or forms of "primitive" art, but ideally want to emphasize that everyone makes the effort to better define their world, for humanity thinking and acting in time and history. And 'the human being naked, which compares with the daily problems, with a world that leaves no respite and / or space to nothing, but creates himself, his life is the architect with the thought and the action of their own destiny, always in search of new horizons to reach, never satisfied with what you have if not by the construction of a future as a protagonist of the universe, history, and makes him master of the time. The art of Tiberius Gracchus is therefore an art thinking, acting, that forces reflection. Its pure colors, pregnant and full of thought, are the medium through which the artist thinks and acts in the world. Even closed eyes of his figures foreshadow a world imagined, but it can become a reality, to become a reality. It is not a turn in on themselves, but be open to reflection, of thinking, thinking agent, at the thought of existence as a project, then it's eyes that know and want to look beyond the appearances, beyond the bandages ephemeral, contingent, of the myths and rituals of our troubled contemporary world, to find and build a new world, more real, more human. His is a twenty-year journey on the wings of thought and of human existence, a painting vibrates with color, with colored lumps and atoms, but atoms and grains that contain the truth of humanity, the very essence infinitesimal Which brings us back to the origins of life itself, trying to grasp the primordial breath that gave birth to the universe. His body and his face are not mysterious, but it is the living symbol of a world in which every gesture, even the smallest, is overwhelmingly the signing of a moment in life that pulsates, vibrates, it interacts with the universality of each individual existence. And the most recent artistic production is no accident that turned his thoughts to the project as a source of human reality, the woman and the starry universe. They are "topos" applicants who are part of human history, but here are transformed and presented by Tiberius with new and upgraded shares pictorial forms, invite people to be protagonists of the story, to be living people and not mere puppets. The forms of art, things and people portrayed by Tiberius are essential, geometrically defined volumes and spaces, with no shades and commingling color because what matters is the purity, simplicity. It is a visual vocabulary all focused on primary colors and geometric clear-cut, a sign of great attention to the design world: a pictorial proposal he wants to emphasize the truth and what is hidden in the dark depths of not being . Organized by the Centro Studi
Hemera
The exhibition is open daily from 10.00 to 12.00 and from 18.00 to 23.00 with free admission.
